drawing influence from the seminal sounds of chicago, detroit and manchester, ethyene s work demonstrates a maturity which belies his years, a result of his early passion for production and fierce dedication to his art. featuring seriously tight production and easy grooves this ep is a guaranteed crowd pleaser, and we are honoured to release it as the very first work in the kyoku collection. presented as a strictly limited edition vinyl with elegant album art and sophisticated design, this release is the perfect addition for any vinyl collection.

the newly minted kepler sound imprint inaugurates its first 12inch with four tracks arranged over the past year in a dimly lit apartment, positioned somewhere in eastern europe. ks001 lends itself to intergalactic exploration, with each helping forged through their proportionate machine-love. from the aside backing petrol, to the thrust of 106b, this record forties raw, 4/4 tracks for the planetary motion and beyond. 1st record from the alter ego of california-born producer urulu (voyage, lets play house) vinyl only release....

we have become big fans of paul ursin at the noir music headquarter as he just keeps creating fantastic music from his studio in sicily. he gained lots of heavyweight dj support from his ep on nm2 in may and we expect him to take you by storm with this (his first) release on noir music. if mr. ursin is not already on your radar let this “sinthesis vol.1” convince you. no more words ... let the music speak for itself.

first material object 12- on semantica.

lush and adventurous melodic electro/techno tunes in his wellknown style by carl finlow! combining robotic melodies and smooth rolling drum machines in a kraftwerk meets the other peoples place meets underground resistance kinda way. 3 new tracks and a reissue of the lovely anomaly , originally released on device in 2003 as part of carl s electrilogy + album. the first artists release on the craigie knowes label after their sweet war child fundraiser compilation album.

nice price , summer 2016 super sale....
after a 10 year absence, portugals question of time records returns in 2012 with brand new vinyl and digital releases. the label was a hugely influential house and techno imprint in the mid 1990s, with everyone from sven väth to carl cox, laurent garnier, mr. c, tony humphries, and dj pippi having supported its groundbreaking releases in the early days. the labels first release of 2012 comes from qot label boss and long-serving portuguese dj hero j. daniel. the >change it< ep features four wildly different mixes of daniels new single. one of the mixes comes from the co-founder of the new qot - ambient house techno experimentalist aqob. overall the package is an entirely absorbing, intelligent and unique club ep that is impossible to categorise. it firmly sits outside the realms of todays club trends.

2x180gr vinyl) ltd ed. repress of 300 copies. including theo parrish remix. this has been recorded& mastered to give you the full vinyl experience & is the first album of an on-going series. a super disco project to celebrate far out recordings 20th year, recorded in rio de janeiro & finished in london.

since fabrikate first emerged with a remix of the weeknd’s often in 2014, the duo has showcased a variety of influences on productions ranging from traditional deep house to sounds reminiscent of the l.a. bass house scene. despite rising success, fabrikate retain their anonymity, hidden behind minimalist masks when on stage or behind the camera. in contrast to the vibrant aesthetic that permeates their overall image, the duo remains stoic and silent, taking a shadowy step into the background so their music can truly take centre stage.

chilean born and berlin based dinky has forged a solid and illustrious career over the past decade. ‘casa’ announces her new album set for release on damian lazarus’s crosstown rebels this autumn, with remixes from axel boman and satori. a trained classical guitarist, singer and keyboard player that has held a dj residency at berlin’s infamous panorama bar since 2004, dinky’s sixth album, also titled ‘casa’ will be the first since the birth of her two children.’ dinky’s delicate vocal on ‘casa’ is both up-tempo and spacious, with infusions of acid, leftfield and electronica in its veins. axel boman delivers a stunning, emotive and epic nine and a half minute dub version, overlaid with spoken word samples referring to lost experiences. the swedish born producer is much-lauded for his releases on dj koze’s pampa, permanent vacation and his own imprint, studio barnhus, formed with kornel kovacs and petter of border community. while the hedonistic take from satori takes ‘casa’ up beyond the horizon. a future crosstown rebels artist, satori has released on 8bit, under your skin and bla bla records. ‘casa’ sees a return to form for dinky and a welcome return to the crosstown imprint, after previously releasing a single and a mix album for the pioneering label.

plangent records is back with the first various artists compilation (plancomp001) on the label and gathers long time friends, likeminded musicians and new talent on this 10 track release. this platform for deep, low-key, melancholic electronic music shall continue.

trulz & robin aka trulz kvam & robin crafoord do slowburning, airy but distinct fascinating house music, warm, bright, focussed but playful, reduced, but open to surprise. signed with atmospheric grooves, a stomping kick, subtle klick and lurching bassline. spiced with plentyfull electronic or sometimes acidic elements this is like straight out of a future club that we like to visit over and over and never seem to get over until breakfast time arrives. written by full pupps hh, on the first sunny day in may, 2016

world excluding france 2016 reedition with new updated artwork (done by pascal himself) lp+cd! the first reedition (ever) of pascal comelades 1998 cult classic largot du bruit, personally overseen by pascal himself, this very unique edition comes with new updated artwork (done by pascal) and the 3 legendary duets with p.j. harvey and robert wyatt on september song.

the inimitable ld nero with his first outing for running back. best-known for his merits on trelik and a poetic sound which is distinctively his own, ld nero immerses himself in a rare breed of deep house music that isn’t classicist, yet dateless, emotional but not kitschy, and most of all meditative without drowsiness. devoid of any second thoughts, these are three tracks made for those wee hours in the morning that may never end.

primitively made sample­ based electronic music w/ drum machine, tracked live. music which has no right to exist ­ sampled, then resampled. second release and first widely distributed material by a project which fermented in the basement cave for a few years before going public. music about loss and the developmental/gentrification hell which has blanketed once homely neighborhoods. tricks of the eye, tricks of the mind, what was never to be again.

with the new sublabel ourselves established under the roof of the well-known o*rs crew from leipzig, a new label has been launched which can without a doubt be called a matter of the heart. production, graphic design, promotional shipping, in leipzig truly every single step remains within the family. with the now appearing compilation imagination the newly born baby ourselves directly presents itself in the best possible light. kicking off the sampler is düsseldorf-based artist sello. the house track characterized by its analog drums, deep chords and snotty bassline completely places his bet on deepness. in his very own catchy way, it sure is the perfect entrance into the musical debut. the second track of the release, a collaboration of jan ketel and his partner in crime siggatunez, shines through its very dynamic and driving buildup. the title being a graceful tribute, it carries the name of the eponymous berlin club farbfernseher. nevertheless, such a warm and dreamy house track might as well serve as the perfect commendation for the first open airs of spring. the flipside impresses with a ruff and dirty club track by berlin-based producer braunbeck, which self-ironically manifests itself particularly through the self-recorded vocals. as a true humorous banger, the track adds even more musical depth to the already outstanding release. the completion of the compilation and therefor also the most technoid track of the release is contributed by perel. a tool-like classic, standing out through its massive kick and hi-hat called felene hischer. nasty, groovy and timeless, just how we like it!

the berlin-based producer is kicking off his label with a four-track single. while he is perhaps not as name-checked as some of the hardware hawking house heads of modern times, arttu snellman has been working hard at gritty box jams for a good few years now. he first appeared under his arttu guise in 2011 with the nuclear funk and fear diluted singles on royal oak and philpot respectively, and then proceeded to wheel out tunes for 4 lux and chiwax over the ensuing years. prior to the tough-edged pump of his current ventures, you could find snellman indulging in a more laptop-centric kind of practice under the name lump. this more minimalistic, glitchy house fodder could be found on labels such as karloff, morris/audio and süd electronic amongst many others. back in the here and now though, arttu was last spotted on clone jack for daze earlier this year with the rave dogz 12”, and next up he’s taking matters into his own hands. existing fans of arttu will be more than pleased with the heavyweight, crunchy tackle that inhabits cyblo01. this is dynamic business with same heft found on previous releases from snellman, mixed in with the cheeky flair that has always marked his productions out in a crowded marketplace.

press release: 124recordings are back with release number eleven the twin suns ep,representing the new generation of producers.first up is an exciting collaboration between pascal viscardi and hugo lx.both names are well known and respected individually from releases on courtesy of balance,mliu,frole and traxx underground,and this is the first time they have released a track together.twin suns is a homage to when house tracks were made straight to tape,with a killer juno bassline and raw beats.next are two young producers from germany.das carmas vitual reality doesnt hold back with a thunderous kick,rumbling bass and gritty stab.philladelphia s matpat closes the first side with work dis.with its clever use of a dj deeon sample,its a raw stripped down 808 groove.the second side opens with parisian duo dub striker,which glides along with warm embracing chords,soft pads underpinned by a bumping bassline,before fonso closes the release with the hypnotic 28 days

the first volume in an ongoing series compiled by butter sessions & noise in my head, domestic documents surveys independent artists who are living and producing electronic abstraction in australia far from a complete guide to the country s burgeoning scene, the 2lp set presents a cross-section of wide ranging sounds and ideas, travelling the endless highways between brisbane, sydney, canberra, melbourne & adelaide as well as regional towns, ballarat and keyneton. featuring exclusive tracks from daze, mic mills, albrecht la brooy, lucy cliche and more, the comp also marks the first vinyl outing for newcomers chiara kickdrum, ben keynes & a fresh dan white / ryan hunter collaboration turner street sound. stay tuned for volume 2, coming late 2016!

sing with me: much in the same vein of the mannheim house sound made popular by artists like johnny d, nick curly, christian burkhardt etc. bretts gives us a deep but driving track centered around an african boy singing. brett chops the sample up to create a choir of ethereal voices to support the boys singing. as the track progresses it takes a left turn into weirdville through some dramatic synth tweaks & sweeps. this track is perfect for anyone who likes to dance standing up, with their head down and first firmly in the air. speaking japanese: many people will tell you learning to speak japanese is one of the most difficult languages to learn, and theyre right. lucky for you, brett has done all the work by translating his message into sound. the core inspiration for this track is based on a sample from a song by get physical owner and artist mandy. they were kind enough to let brett use the sample and run wild with it. the result is 8 minutes and 12 seconds of over driven 909s, rolling bass lines and a pad so thick you need a fork to eat it. all of this keeps the calm while frantic chatter and out of this world fxs take you to a japanese after party somewhere in shibuya.

welcome to the second release on a new record label, real balearic. we are record label based in ibiza and london. we were set up by the team who brought you the world famous real ibiza series of compilations and released the very first cafe del mar compilation. we are passionate about music and in particular music with a thread that runs to the musical sounds of ibiza and the balearic islands. whilst we may chill out with the best of them it is not what we are all about. balearic techno, balearic disco, ambient soundscapes, classical interludes, sun-drenched chords, sunset grooves, moon-washed rhythms, and just about anything that grabs us.

midgar welcomes the bordeaux based von grall delivering four dense, immersive cuts. first of the list, *a secant line*, is an acidic and powerful mantra, opening the gates of sonic virtuality. in the second track, *the slope*, fast paced rhythmics and cold ambiances bring some severity to the record. on the bside, the melodic and slightly dreamy excursion *apply the definition*, while *limit value* close the record with a solemn concoction of offbeats drums and mechanic nightbirds.

we are stoked to have this quality producer and vital part of frankfurts underground on nick curly & gorges 8bit imprint for the first time - welcome sascha dive! after more than a decade of playing and producing in one of technos most influential cities, dive premieres on catalogue nr.108 with funky rhythm seduction ep & its just the quality sound you d expect! lab #2 & planet e strive from subby rooted techno, filling the floor with dark energy and a little old school vibe. funky rhythm seduction completes the package as a timeless deep groover that hits with tribal elements and rollin drums, perfect for most peak time situations and upcoming summer parties

temperature s rising, the very first collaboration between perc and passarella death squad,came out quietly in 2010 and has since grown steadily into a cult favourite.now it returns on perc trax, remastered for 2016, with the original vocal mix having a full side of vinyl to itself for the first time.on the b-side is the temperate dub,originally created back in 2009 but which until now has remained unreleased. dubbing out the original mix by reducing the vocal to a few echoing syllables it is a fresh take on an well loved favourite.released on transparent red vinyl

bopsides first release for 2016 comes from label owner tadd mullinix, releasing under his birth name for the first time since 2002s panes on ghostly international. this album is comprised of 3 long form experimental electro-acoustic compositions, 2 of which clock in around the 15 minute mark, and another clocking in around 9 minutes, taking you fully into the imagination of an artist who is constantly experimenting and redefining the sonic landscape. recorded on a variety of equipment and instruments, these 3 recordings capture a human side and sense of playfulness, while at the same time taking you into the heart of darkness.

after making some massive claims regarding electronic music last year which caused a stir in the dance music community, mat zo had a lot to live up to with his long awaited second album self assemble. what didnt help was the fact that his first album, damage control was critically acclaimed by many within dance music and is now considered a modern-day masterpiece with mesmerising tracks such as the sky and the massive easy with porter robinson.

daniele baldelli producer now has nothing to envy to the daniele baldelli dj. this is demonstrated by the authoritativeness of the first two 12inch of six of the series cosmic temple on mondo groove label. what strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logo cosmic. but immediately then the music takes the stage, 3 tracks in chapter 1 and 3 tracks in chapter 2, able to tell the true mood of the imaginary baldellis sound and take them to a land of wonders. chapter 3: gandarva switching from a balearic atmosphere to an interstellar space travel.in kosmaro the voice of monica giacomobono describes a sleepless night traveling delirious on the notes of the keyboard played ricky burattini (justofunk) which then

daniele baldelli producer now has nothing to envy to the daniele baldelli dj. this is demonstrated by the authoritativeness of the first two 12inch of six of the series cosmic temple on mondo groove label. what strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logo cosmic. but immediately then the music takes the stage, 3 tracks in chapter 1 and 3 tracks in -chapter 2-, able to tell the true mood of the imaginary baldellis sound and take them to a land of wonders. chapter 4: an ingredient that can not miss in baldelli cosmic project is afro-beat: joka joka, sung by congolese bale mondonga. vhanessa is a magical flight in search of distant galaxies, a tribal electro joints game a kind of rubik s cube. the kraftwerk-ian archetipo leaves us waiting for the arrival of the chapter 5 and 6 to complete this cosmic temple, to listen to and to watch the puzzle of 6 covers

here s a new remix record from aaron spectre, an american producer known for building bridges. nearly a decade after his first amen, punk vinyl was released in japan and became a worldwide underground staple, he s back refining the energetic hybrid sound further. jungle boots is four tracks of genre-unifying white label goodness, flawlessly cut to vinyl and ready to rock.

first release for generatia ’90 records!

domv is the new imprint from hubble. first release is a revisitation of jan jelinek and masayoshi fujita’s “workshop for modernity”. 1 side release. 20 minutes journey.

golden parachutes is a unique, collaborative musical effort comprised of stewart walker (us/berlin) and touane (italy/berlin). following five years of collaborative live-performances and techno releases through stewart’s persona records imprint, here the duo has decided to co-mingle their influences from afrobeat and progressive jazz into a boundary-free exploration. liberated from the constraints of repetitive, pounding kick drums, they unveil a new sound of timbral fluidity built-up from live and sequenced instruments. more than just music, their innovative approach delivers 43 minutes of consummate aural landscapes that pull the listener in head first. as the title ‘into the dark grey morning’ suggests the album takes you on a sweet atmospheric journey where melodic washes of colour and light flicker illumination into the dark clouds of monochromatic noise and reverb compositions, evoking fresh beginnings in electronic music... like a light at the end of the tunnel. as level records third long-play release, ‘into the dark grey morning’ is an unexpected turn away from the labels normal tendencies. with it’s live-instrumental melodies layered over sweeping electronic backdrops the album dips deeply into progressive rock waters and surfaces with a contemporary krautrock sound, logically delivered by a label from düsseldorf, the birthplace of krautrock music.

ltd to 150 copies
the first release from erdenkinder comes from germany offenbach label founders vincenzo esposito and frankfurts b-zet who is one oft he pioneers of the electronice music scene in early 90s, when he also produced people like sven väth. his biggest hit everlasting pictures was on eye q records, which was re-released by laith al-deen in german language. meanwhile he was keyboarding for people like quincy jones and sheila e. the record has four versions on a1 the original while on a2 b-zet own interpretation of the title track. the flip starts with the well known frankfurt artist rey &kjavik (rkjvk) with his new school and old school, deeply rooted within hip-hop culture influences. b2 comes from cécille records label head marc scholl.

after a sell out first ep on optimo music, mr tc follows it up with ep 2, surf & destroy four more tracks of analogue plus live instruments delirium. mr tc has been taking his live show (which involves a four-piece band) out on the road to great acclaim. his music and dj sets encompass leftfield disco, tropical oddity, house and techno whilst channelling the spirit of a youth spent playing in psychedelic rock bands in luxembourg, listening to krautrock and worshipping lou reed and david bowie. this is just the beginning

number 8 in the acidworx vinyl series brings upon us a ten minute journey of long reverbs, delays and tripped out acid dubs from japan on the a-side, then two jacking acid workouts from sweden and germany on the b-side. as always, vinyl first, digital later. early support from josh wink, sasha, felix lorusso, electrosexual, satoshi fumi, ataxia, guido nemola, sone, advanced human, d-leria, dorian gray, mateo murphy, p.e.a.r.l., i0ps , alessio mereu, 2000 and one, raphael dincsoy, nibic, nomenklatur, spacid, luca agnelli...

riot 37: 4 remixes of 4 tracks which will take you on 4 different journeys, all of them, undoubtably, in first class

sound and rhythm are effective means of individuals self-defence in face of chaotic steamroller of everyday life. hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. too many times to mention, music appearing under recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation. hideland, new record by polish electronic music producer jacek sienkiewicz is released precisely year after drifting, which largely explored tropes of classical club techno sound. eight (nine in extended cd version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. its another intriguing proposal in jacek sienkiewiczs growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.

time has come: asymptote duo, owner of the label, makes its debut with its first ever release. sav004, behind the scene ep, is the result of a driving combination between old and new school elements, aimed at the big floor. a side, is darker and deeper, made by two acid and atmospheric techno cuts: behind the scene and chain reaction . on the b side, the traveller is a minimalistic techno trip, with millsian reminiscences. plastic city instead, with its essential sonorities, draws inspiration by the old detroit school, trying to evolve it and go well beyond. past and future create the present

philly s home-grown edit kings superprince drop some serious brotherly love in their first outing for rnt. from the uptempo bounce of strong feeling, to the soulful boogie of down on bitter end and start again, to the chilled re-cut funk of up up to the sky, these 4 heaters are guaranteed to find a permanent home in any record bag

adeen: beijings newest deep house record label run by jason adeen wilkins. first release is from detroit house master alton miller with a remix from dj spinna & msjones. supported by david morales & louis vega

juan ramos lives on planet earth but channels voices from the aether. this is his first offering for the esp institute. on side a, last of the natives shows us just what we’re dealing with, a master manipulator of sound and consciousness. juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in juan’s demented world, we find ourselves willfully under his control. on side b, enemy of enemy is friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. once settled into his sophisticated rhythm, juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. we at the esp institute are enamored by juan’s seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color speedotm should she wear this summer?

den “nightcrawler”-soundtrack gibt es in zwei deluxe-lp-editionen. das cover zu 39138151 basiert auf dem original filmposter, das set kommt mit einem bedruckten inlay und einem download-code als extras und das vinyl hat die farbe von cherry cola.
james newton howard gehört inzwischen zu den bekanntesten soundtrack-komponisten hollywoods. seine scores für “the dark knight” und “batman begins” (beide gemeinsam mit hans zimmer) genießen kult-status, er hat aber auch so unterschiedliche filme wie “pretty woman” und “the hunger games” vertont. ursprünglich war er session-musiker und verdiente seinen unterhalt als tour-keyboarder von elton john, bis er mit dem soundtrack zu “the sixth sense” eine eigenständige karriere realisierte.
als tatort-paparazzo-kameramann schlägt sich lou bloom (jake gyllenhaal) durch die nächte von los angeles, immer auf der jagd nach bildern von unfällen, verbrechen und mord. ein lebensstil der ihn prägen wird ... - der kult-film von dan gilroy beleuchtet die schattenseiten des urbanen lebens.

the second release presents a new front left artist – daito (lenny jäzosch). daito is the japanese term for different kinds of swords, used by samurais. this describes his sharp and detailed sound without the lack of emotions & soul. being a regular raver, his productions are dance floor motivated, containing special moments that can be felt when you are dancing to it. his influence comes from an earlier style of techno with a raw and inspiring sound. on the b-side, you will find elad magdasi – a regular front left raver who debuted on the first release(finger trip ep). his style is classic, diverse and 90s influenced. elad is returning with two different types of techno creations.

that night, we answered a regular call, something about crazy loud noises coming out from a basement. while driving to the area all i could think when i first heard the bass stomping was: “man, whatever, this doesn t even sound like music to me.” and we were at least a 100 meter away from the source of the sound. when we got there, after knocking several times on the door, we decided we had more than enough probable causes to bust in. after a warning, we kicked the door open. what we saw inside was a five feet tall woman jumping around in that cacophony. we screamed and she ignored us, my colleague then panicked and shot her with his taser several times – she then simply pulled the probes out of her body shouting moments moments – and continued to jump around..

stellar new artists to join our tight knit family. first we invite mariano mateljan with whowhatwhere, his raw minimalistic analog sound really shines through with a swinging percussive bass line, echoing vox and splashes of pads to set the mood. now moving into more techno territory with our beloved mastering guru gabriele carasco with his slow burner theory of flow, has just the right amount of acid to take you on hypnotic journey through the lab. no introduction is needed for one of sol asylum’s core members miss jools. this time around creating a deep and moody vibe with what you do she adds touches of vocals, an elaborate construction and glistening pads that finishes it off flawlessly. last but not least, we introduce markus sommer with san beneghetto. his skills and mature taste blew us away regardless of his youthful years. this garage-fueled track with gliding synths and jazzy bass lines is the perfect track to warm up your summer day

melbourne label momentary records first release features 2 original deep and driving house tracks from label founder & artist, ben houghton, joined by fellow australians harvey sutherland and inkswel on remix duties.

the first release on the perth imprint cosi cosi, basic mind’s “grotto” catalyses some of the great innovations of both continental and atlantic analogue techno, 80s formalism, late drexciyan funk, darkroom acid, and indeed is one of australia’s purest sources of that ultra-orthodox, hardware-based sound.

hailing from florida, the brookside imprint have dug deep into the master tapes and let nyc master-mixer mike maurro loose on a couple of stone cold classics! maurro, a queens based dj and mixer since 1986 has become one of the top remixers out there today with his own, faithful takes on numerous dance classics from the last 30+ years. here he lends his magic touch to a pair of well loved club classics while adding his own original flavour. dan hartman s -vertigo/relight my fire- is up first on side-a, featuring the unmistakable vocals of nyc diva loleatta holloway. maurro s mix brings the vocals in earlier, dubbing them out creating a super trippy atmosphere with a slightly different musical arrangement over the course of almost 14 minutes! on side-b, we have the legendary evelyn -champagne- king s -shame-, with a slightly longer, beat led intro for the dj s. a true extended mix with a slightly different arrangement maurro s mix of this classic is a killer. beautifully faithful and mixed with love and an understanding of the dancefloor and the classics! these mixes are essential for any disco/soul/funk fans out there, unmissable for the dj s, legitimately remastered and pressed onto high quality 12- singles in conjunction with all rights holders

things are getting grim. the good guys and the bad are determined to settle their escalating dispute in the ring. after the bookies have taken their bets, the bad guys are taking the upper hand in the first few rounds. the nefarious comment about their beloved mother seems to have sparked uncontrollable rage in the pair. dont rule out the good guys just yet though, as they seem to be plotting something their opponents from the dark side wont see coming. for the second outing in the quartet series, french fry and parisian concrete resident s3a (sampling as a n art, faces) infuses the good guys with some positive energy.

the mix is influenced heavily by how i used to dj at the first party i ever promoted, named seismic, and another named monox which was a straight up techno night where i was a resident from the age of 17. and although it wasn’t my plan, it turned into a kind of tribute to the cities that really formulated me as a dj: detroit, chicago and glasgow.